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In a Dark, Dark Wood
Cover of In a Dark, Dark Wood
In a Dark, Dark Wood
by Ruth Ware
AUTHOR OF THE WOMAN IN CABIN 10

INSTANT NEW YORK TIMES, USA TODAY, AND LOS ANGELES TIMES BESTSELLER

SOON TO BE A MAJOR MOTION PICTURE

An NPR Best Book of the Year, 2015

A ShelfAwareness Best Book of the Year, 2015

An Entertainment Weekly Summer Books Pick

A Buzzfeed “31 Books to Get Excited About this Summer” Pick

A Publishers Weekly “Top Ten Mysteries and Thrillers” Pick

A BookReporter Summer Reading Pick

A New York Post “Best Novels to Read this Summer” Pick

A Shelf Awareness “Book Expo America 2015 Buzz Book” Pick

What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware’s suspenseful, compulsive, and darkly twisted psychological thriller.
Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her “nest” of an apartment unless it is absolutely necessary. When a friend she hasn’t seen or spoken to in years unexpectedly invites Nora (Lee?) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?”, Nora (Lee?) tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora (Lee?) must revisit parts of herself that she would much rather leave buried where they belong: in the past.

In the tradition of Paula Hawkins's instant New York Times bestseller The Girl On the Train and S. J. Watson’s riveting national sensation Before I Go To Sleep, this gripping literary debut from UK novelist Ruth Ware will leave you on the edge of your seat through the very last page.
AUTHOR OF THE WOMAN IN CABIN 10

INSTANT NEW YORK TIMES, USA TODAY, AND LOS ANGELES TIMES BESTSELLER

SOON TO BE A MAJOR MOTION PICTURE

An NPR Best Book of the Year, 2015

A ShelfAwareness Best Book of the Year, 2015

An Entertainment Weekly Summer Books Pick

A Buzzfeed “31 Books to Get Excited About this Summer” Pick

A Publishers Weekly “Top Ten Mysteries and Thrillers” Pick

A BookReporter Summer Reading Pick

A New York Post “Best Novels to Read this Summer” Pick

A Shelf Awareness “Book Expo America 2015 Buzz Book” Pick

What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware’s suspenseful, compulsive, and darkly twisted psychological thriller.
Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her “nest” of an apartment unless it is absolutely necessary. When a friend she hasn’t seen or spoken to in years unexpectedly invites Nora (Lee?) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?”, Nora (Lee?) tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora (Lee?) must revisit parts of herself that she would much rather leave buried where they belong: in the past.

In the tradition of Paula Hawkins's instant New York Times bestseller The Girl On the Train and S. J. Watson’s riveting national sensation Before I Go To Sleep, this gripping literary debut from UK novelist Ruth Ware will leave you on the edge of your seat through the very last page.
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About the Author-
  • Ruth Ware grew up in Sussex, on the south coast of England. After graduating from Manchester University she moved to Paris, before settling in North London. She has worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer, and is the internationally bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, and The Lying Game. She is married with two small children. Visit her at RuthWare.com or follow her on Twitter @RuthWareWriter.
Reviews-
  • Publisher's Weekly

    June 29, 2015
    At the start of Ware’s solid but somewhat derivative first novel, a psychological thriller, crime writer Leonora Shaw leads a solitary life in London but receives an invitation to Northumberland to celebrate the impending marriage of Clare Cavendish, a friend she hasn’t seen in 10 years. Nora and Clare were once inseparable, but something drove them apart. Nora and her sarcastic school chum, Nina da Souza, another invitee, decide to make the trip to the remote cottage known as the Glass House, the site of the hen party weekend. Flashbacks show Nora in the hospital, where she’s recovering from an accident that she can’t quite recall and wonders whose blood is on her hands. From the catty conversations at the party, secrets from Nora and Clare’s past emerge, particularly relating to Nora’s former love, James Cooper. Ware does a competent job ratcheting up the suspense, but the revelations aren’t as exciting as the buildup. Agent: Eve White, Eve White Literary Agency (U.K.).

  • Kirkus

    June 15, 2015
    In Ware's debut, a reclusive crime writer reunites with a long-lost friend during a weekend hen party that goes horribly wrong. When Leonora Shaw wakes up in the hospital with memory gaps and a head wound, one of the first questions she asks is, "What have I done?" Through flashbacks, Ware slowly unspools the mystery, setting a truly spooky scene as six relative strangers gather at the isolated Glass House, celebrating the upcoming marriage of Nora's former friend Clare Cavendish, with whom she had lost touch 10 years before. Nora, sensitive and skittish and nursing some great secret about her past and her lost friendship with Clare, wants nothing more than to leave, but she feels trapped by curiosity, guilt, and obligation to Flo, the woman who planned the weekend and takes any complication as a personal affront. In classic Agatha Christie fashion, the first half of the novel is masterful in the slow build of suspense. Clearly, something is very wrong, but it's unclear whether it's Nora, Clare, Flo, or some outside intruder who is responsible for the chills and the deepening unease. Unfortunately, as Nora's memory returns, the truth and the climax ultimately disappoint, and Nora's timidity and secrecy become frustrating. The final reveal is pretty predictable. However, the success of the first half of the novel does speak to Ware's ability to spin a good yarn. Recalling such classics as And Then There Were None, she creates a unique setting for the psychological scares, and her characters, while somewhat stock, have enough depth to fool even savvy mystery fans for a while. Like the Glass House itself, this novel is "a tiger's enclosure, with nowhere to hide" and with a constant undercurrent of danger. Read it on a dark and stormy night-with all the lights on.

    COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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