Close cookie details

This site uses cookies. Learn more about cookies.

OverDrive would like to use cookies to store information on your computer to improve your user experience at our Website. One of the cookies we use is critical for certain aspects of the site to operate and has already been set. You may delete and block all cookies from this site, but this could affect certain features or services of the site. To find out more about the cookies we use and how to delete them, click here to see our Privacy Policy.

If you do not wish to continue, please click here to exit this site.

Hide notification

  Main Nav
The Girl on the Train
Cover of The Girl on the Train
The Girl on the Train
Borrow Borrow

The #1 New York Times Bestseller, USA Today Book of the Year, now a major motion picture.

The debut psychological thriller that will forever change the way you look at other people's lives.

"Nothing is more addicting than The Girl on the Train."—Vanity Fair
"The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . . [It] is liable to draw a large, bedazzled readership."—The New York Times


"Marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend."—USA Today

"Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages."—The Boston Globe
"Gone Girl fans will devour this psychological thriller."—People



EVERY DAY THE SAME
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
UNTIL TODAY
And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?





From the Trade Paperback edition.

The #1 New York Times Bestseller, USA Today Book of the Year, now a major motion picture.

The debut psychological thriller that will forever change the way you look at other people's lives.

"Nothing is more addicting than The Girl on the Train."—Vanity Fair
"The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . . [It] is liable to draw a large, bedazzled readership."—The New York Times


"Marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend."—USA Today

"Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages."—The Boston Globe
"Gone Girl fans will devour this psychological thriller."—People



EVERY DAY THE SAME
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
UNTIL TODAY
And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?





From the Trade Paperback edition.
Available formats-
  • OverDrive Listen
  • OverDrive MP3 Audiobook
Subjects-
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
  • Lexile:
  • Interest Level:
  • Text Difficulty:

Recommended for you

 
Awards-
Excerpts-
  • From the cover

    RACHEL

    FRIDAY, JULY 5, 2013

    MORNING
    There is a pile of clothing on the side of the train tracks. Light-blue cloth—a shirt, perhaps—jumbled up with something dirty white. It's probably rubbish, part of a load dumped into the scrubby little wood up the bank. It could have been left behind by the engineers who work this part of the track, they're here often enough. Or it could be something else. My mother used to tell me that I had an overactive imagination; Tom said that, too. I can't help it, I catch sight of these discarded scraps, a dirty T-shirt or a lonesome shoe, and all I can think of is the other shoe and the feet that fitted into them.

    The train jolts and scrapes and screeches back into motion, the little pile of clothes disappears from view and we trundle on towards London, moving at a brisk jogger's pace. Someone in the seat behind me gives a sigh of helpless irritation; the 8:04 slow train from Ashbury to Euston can test the patience of the most seasoned commuter. The journey is supposed to take fifty-four minutes, but it rarely does: this section of the track is ancient, decrepit, beset with signalling problems and never-ending engineering works.

    The train crawls along; it judders past warehouses and water towers, bridges and sheds, past modest Victorian houses, their backs turned squarely to the track.

    My head leaning against the carriage window, I watch these houses roll past me like a tracking shot in a film. I see them as others do not; even their owners probably don't see them from this perspective. Twice a day, I am offered a view into other lives, just for a moment. There's something comforting about the sight of strangers safe at home.

    Someone's phone is ringing, an incongruously joyful and upbeat song. They're slow to answer, it jingles on and on around me. I can feel my fellow commuters shift in their seats, rustle their newspapers, tap at their computers. The train lurches and sways around the bend, slowing as it approaches a red signal. I try not to look up, I try to read the free newspaper I was handed on my way into the station, but the words blur in front of my eyes, nothing holds my interest. In my head I can still see that little pile of clothes lying at the edge of the track, abandoned.

    EVENING
    The premixed gin and tonic fizzes up over the lip of the can as I bring it to my mouth and sip. Tangy and cold, the taste of my first-ever holiday with Tom, a fishing village on the Basque coast in 2005. In the mornings we'd swim the half mile to the little island in the bay, make love on secret hidden beaches; in the afternoons we'd sit at a bar drinking strong, bitter gin and tonics, watching swarms of beach footballers playing chaotic twenty-five-a-side games on the low-tide sands.

    I take another sip, and another; the can's already half empty, but it's OK, I have three more in the plastic bag at my feet. It's Friday, so I don't have to feel guilty about drinking on the train. TGIF. The fun starts here.

    It's going to be a lovely weekend, that's what they're telling us. Beautiful sunshine, cloudless skies. In the old days we might have driven to Corly Wood with a picnic and the papers, spent all afternoon lying on a blanket in dappled sunlight, drinking wine. We might have barbecued out back with friends, or gone to the Rose and sat in the beer garden, faces flushing with sun and alcohol as the afternoon went on, weaving home, arm in arm, falling asleep on the sofa.

    Beautiful sunshine, cloudless skies, no one to play with, nothing to do. Living like this, the way I'm living at the moment, is harder in the summer when there is so...

About the Author-
  • Paula Hawkins worked as a journalist for fifteen years before turning her hand to fiction. The Girl on the Train is her first thriller. An international #1 bestseller, published in 50 countries and over 40 languages, it has sold over 11 million copies worldwide and has been adapted into a major motion picture starring Emily Blunt. Hawkins was born in Zimbabwe and now lives in London.
Reviews-
  • Publisher's Weekly

    March 23, 2015
    Hawkins’s bestseller introduces us to
    a young woman named Rachel Watson, whose life has been unspooling in the years since her recent divorce. Though alcoholism and a loss of self-worth have left her jobless, she continues to commute to London by train past her old Victorian, where ex-husband Tom now lives with his new wife, Anna, and their baby girl. She also passes her neighbors Megan and Scott Hipwell, who are, in Rachel’s words, “a perfect, golden couple.” When she learns that Megan has gone missing, Rachel has a vague memory of having been in the neighborhood, inebriated,
    the night of the disappearance. The novel consists of dated entries in the diaries of Rachel, Anna, and Megan, portrayed in this production by a trio of actresses. All three readers perform admirably, and
    as the novel speeds toward its breathless whodunit conclusion and the diary entries grow shorter and shorter, it
    almost seems as if readers Corbett and Fisher, following the leads of their characters Rachel and Anna, are one-upping each other to have the story’s last word.
    A Riverhead hardcover.

  • Publisher's Weekly

    Starred review from November 10, 2014
    Rachel Watson, the principal narrator of Hawkins’s psychologically astute debut, is obsessed with her ex-husband, Tom. She’s having a hard time putting the past behind her, especially since she confronts it daily, during the hourlong commute to London from her rented room in Ashbury, Oxfordshire, when her train passes the Victorian house she once shared with Tom. She also frequently spies an attractive couple, four doors down from her former home, who she imagines to be enjoying the happily-ever-after that eluded her. Then, suddenly, the woman, pixie-ish blonde Megan Hipwell, vanishes—only to turn up on the front page of the tabloids as missing. The police want to question Rachel, after Anna, Tom’s new wife, tells them that Rachel was in the area drunkenly out of control around the time of Megan’s disappearance. Hawkins, formerly deputy personal finance editor of the Times of London, deftly shifts between the accounts of the addled Rachel, as she desperately tries to remember what happened, Megan, and, eventually, Anna, for maximum suspense. The surprise-packed narratives hurtle toward a stunning climax, horrifying as a train wreck and just as riveting. Agent: Lizzy Kremer, David Higham Associates (U.K.).

  • AudioFile Magazine Three talented narrators handle Hawkins's debut psychological thriller, giving identifiable voices and personalities to the characters Rachel, Megan, and Anna. Rachel's life is spinning out of control. She imagines the perfect life of "Jess and Jason," people she sees from a train window on her daily commute. She actively believes in the fantasy, and when she observes something shocking, she determines to intervene. The three narrators alternate chapters, offering differing interpretations of events as seen by Rachel, who drinks excessively and is subject to alcoholic blackouts; Megan, who is having an extramarital affair; and Anna, who is married to Rachel's ex-husband. When Megan disappears and the police investigate, listeners must decide how much of what the women report is reliable. Top-notch narration makes this perfect for audio. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2015, Portland, Maine
Title Information+
  • Publisher
    Penguin Random House Audio Publishing Group
  • OverDrive Listen
    Release date:
  • OverDrive MP3 Audiobook
    Release date:
Digital Rights Information+
  • OverDrive MP3 Audiobook
    Burn to CD: 
    Permitted
    Transfer to device: 
    Permitted
    Transfer to Apple® device: 
    Permitted
    Public performance: 
    Not permitted
    File-sharing: 
    Not permitted
    Peer-to-peer usage: 
    Not permitted
    All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.

Status bar:

You've reached your checkout limit.

Visit your Checkouts page to manage your titles.

Close

You already have this title checked out.

Want to go to your Checkouts?

Close

Recommendation Limit Reached.

You've reached the maximum number of titles you can recommend at this time. You can recommend up to 99 titles every 1 day(s).

Close

Sign in to recommend this title.

Recommend your library consider adding this title to the Digital Collection.

Close

Enhanced Details

Close
Close

Limited availability

Availability can change throughout the month based on the library's budget.

is available for days.

Once playback starts, you have hours to view the title.

Close

Permissions

Close

The OverDrive Read format of this eBook has professional narration that plays while you read in your browser. Learn more here.

Close

Holds

Total holds:


Close

Restricted

Some format options have been disabled. You may see additional download options outside of this network.

Close

You've reached your library's checkout limit for digital titles.

To make room for more checkouts, you may be able to return titles from your Checkouts page.

Close

Excessive Checkout Limit Reached.

There have been too many titles checked out and returned by your account within a short period of time.

Try again in several days. If you are still not able to check out titles after 7 days, please contact Support.

Close

You have already checked out this title. To access it, return to your Checkouts page.

Close

This title is not available for your card type. If you think this is an error contact support.

Close

An unexpected error has occurred.

If this problem persists, please contact support.

Close

Close

NOTE: Barnes and Noble® may change this list of devices at any time.

Close
Buy it now
and help our library WIN!
The Girl on the Train
The Girl on the Train
Paula Hawkins
Choose a retail partner below to buy this title for yourself.
A portion of this purchase goes to support your library.
Close
Close

There are no copies of this issue left to borrow. Please try to borrow this title again when a new issue is released.

Close
Barnes & Noble Sign In |   Sign In

You will be prompted to sign into your library account on the next page.

If this is your first time selecting “Send to NOOK,” you will then be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."

The first time you select “Send to NOOK,” you will be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."

You can read periodicals on any NOOK tablet or in the free NOOK reading app for iOS, Android or Windows 8.

Accept to ContinueCancel